CAJ | 학술논문

太极哲学是中国古代哲学思想中的精华部分，对古今文学艺术都产生了深远的影响。艺术设计中的平面设计同样深受太极哲学的熏陶。以太极符号的符号学原理为核心，可从符构学、符义学及符用学三个方面探讨太极哲学在中国古代及现代平面设计领域的应用；并以古代民族图案艺术与现代标志和招贴设计为研究内容，着重探讨太极哲学思想如何在现代平面设计中得到良好的继承与发展。
태겁철학시중국고대철학사상중적정화부분，대고금문학예술도산생료심원적영향。예술설계중적평면설계동양심수태겁철학적훈도。이태겁부호적부호학원리위핵심，가종부구학、부의학급부용학삼개방면탐토태겁철학재중국고대급현대평면설계영역적응용；병이고대민족도안예술여현대표지화초첩설계위연구내용，착중탐토태겁철학사상여하재현대평면설계중득도량호적계승여발전。
A quintessential part of ancient Chinese philosophy, Tai Chi philosophy has a profound influence on literature and art, ancient and modem, and graphic design as a design art can＇t escape its influence either. This paper attempts to explore the application of Tai Chi philosophy to ancient Chinese graphic design from the perspectives of semiotic structure, semiotic semantics and semiotic pragmatics, treating the symbol of Tai Chi as a core principle. It takes ancient national art design and modem trends in logo and poster design as objects of research and focuses on a discussion of how best to inherit and develop the application of Tai Chi philosophy in modern graphic design.