CAJ | 학술논문

古巴作家阿莱霍·卡彭铁尔运用“神奇现实主义”的创作手法，在小说《人间王国》中，以描写黑奴传播非洲迷信故事、奴隶的民族觉醒和反抗、土著和黑人皈依天主教、种族仇恨、西班牙教堂里的巫术气息、欧洲殖民者醉心于拉美风光等现象，深刻反思了拉丁美洲社会的落魄、觉醒、反抗到适应的现实问题，提出拉美历史文化特色源于殖民宗主国文化同印第安及非洲黑人文化的相互融合性观点，并通过神话原型的显现展示了拉丁美洲文化的混杂和社会的畸形。
고파작가아래곽·잡팽철이운용“신기현실주의”적창작수법，재소설《인간왕국》중，이묘사흑노전파비주미신고사、노대적민족각성화반항、토저화흑인귀의천주교、충족구한、서반아교당리적무술기식、구주식민자취심우랍미풍광등현상，심각반사료랍정미주사회적락백、각성、반항도괄응적현실문제，제출랍미역사문화특색원우식민종주국문화동인제안급비주흑인문화적상호융합성관점，병통과신화원형적현현전시료랍정미주문화적혼잡화사회적기형。
By means of the creative techniques of Magical Realism, the Cuban Writer Alejo Carpentier, in his novel The Kingdom of This World, tells vividly the stories of the black slave＇ s spreading of African superstition, the slave＇ s awakening and resisting, the Aboriginal and Black＇ s converting to Catholicism, the racial hatred, the Spanish church＇ s witchery and the European colonizer＇ s keen on Latin American＇ s scenery. This paper profoundly reflects the social issues of declining, awakening, resisting, and adap- ting in Latin America by analyzing the Latin American culture＇ s hybridization and its social malformation, and puts forward the viewpoint that the typical Latin American historical culture originates the mixture of mutual adaptability of colonial suzerain culture, Indian and African culture.