CAJ | 학술논문

黄宾虹的花鸟画从其作品的表面看似略不经意,自自在在,但他并不是普通的＂自自在在＂,而是在不断尝试和实验新的技巧和方法后,经过长期的笔墨训练和实践,把文人的深厚学养和艺术家特有的细腻敏感都渗透到作品之中,逐渐形成的＂自自在在＂美。其花鸟画笔力深厚,墨法多变,艺术修养全面而高深,从他的作品中我们感受到的正是中国花鸟画少有的＂自自在在＂的内凝之美。
황빈홍적화조화종기작품적표면간사략불경의,자자재재,단타병불시보통적＂자자재재＂,이시재불단상시화실험신적기교화방법후,경과장기적필묵훈련화실천,파문인적심후학양화예술가특유적세니민감도삼투도작품지중,축점형성적＂자자재재＂미。기화조화필력심후,묵법다변,예술수양전면이고심,종타적작품중아문감수도적정시중국화조화소유적＂자자재재＂적내응지미。
Apparently slightly mindless and leisurely,Mr.Huang Binhong＇s flower bird paintings are not ＂carefree＂ in the ordinary sense,but they are a result of long-term ink training and practice after persistent trials and experiments of new skills and methods.He has integrated the profound artistic accomplishments of literary men and the unique sensibility of artists into his works,and has gradually formed the ＂leisurely＂ beauty.His flower bird paintings are deep in brush strokes,flexible in ink changes and comprehensive in artistic attainments,from which the rare intensive ＂leisurely＂ beauty in Chinese flower bird paintings are perceived.