CAJ | 학술논문

家堂画是高密年画中耗时最多、尺幅最大的年画，本文通过分析家堂画中所展现的“一进”、“二进”和其所包括的庙埕、山门、天井、翼廊、拜廊、正殿和内殿七个部分，以及其具有的主题突出、二度空间平面勾画、成双成对、见缝插针、应有尽有、同时展现和拆墙掀瓦等特点，论述其体现的传统道德中的孝文化，吉祥文化，古槐移民的思乡情结，反清复明的反抗心理，同宗同源的始族崇拜，祖宗祭祀中的女性歧视和画中建筑的明清风格等文化信息。
가당화시고밀년화중모시최다、척폭최대적년화，본문통과분석가당화중소전현적“일진”、“이진”화기소포괄적묘정、산문、천정、익랑、배랑、정전화내전칠개부분，이급기구유적주제돌출、이도공간평면구화、성쌍성대、견봉삽침、응유진유、동시전현화탁장흔와등특점，논술기체현적전통도덕중적효문화，길상문화，고괴이민적사향정결，반청복명적반항심리，동종동원적시족숭배，조종제사중적녀성기시화화중건축적명청풍격등문화신식。
The genealogies painting is a kind of New Year Painting which is the most time consuming and the biggest size among Gaomi New Year Paintings. The genealogies painting contains the first courtyard and the second courtyard and seven parts that are the square in front of the ancestral temple, the door, the patio, the wing gallery, the worship gallery, the main hall and the hall within. And this kind of picture contains some characteristics such as the outstanding theme, the plane outline of the two dimension- al, in pairs, making use of every bit of space, containing everything, showing in the meantime and dismantlling wall and lifting watts. Through analyzing the content and the characteristics of the New Year Painting, this paper explains the concentrated reflec- tion of filial piety culture and auspicious culture of the traditional moral contained in the painting, the homesick of the old scholartree immigrants, the antagonistic psychology of fighting against the Qing dynasty to rebuild the Ming dynasty, the earlist ancestor worship of the same kindred, the discrimination against female during the ancestor sacrifice and the Ming and Qing dynasty style of the buildings in the paintings.