CAJ | 학술논문

“天使”缓缓跌入油亮的水面，一道似来自天堂的光撕破了无限延展的黑暗。他的身体被四溅的泡沫缠绕，时而潜入底部，时而于上空盘旋，发出如子宫回声般尖锐的巨响，又好似痛苦的嘶鸣。看到这里，你或许会以为这是艺术家程然对比尔·维奥拉某件经典录像作品的又一次致敬．但随之，两名身着潜水服的救生员闯入画面，打破了原本唯美的冥想空间，将人拉拽回现实中。
“천사”완완질입유량적수면，일도사래자천당적광시파료무한연전적흑암。타적신체피사천적포말전요，시이잠입저부，시이우상공반선，발출여자궁회성반첨예적거향，우호사통고적시명。간도저리，니혹허회이위저시예술가정연대비이·유오랍모건경전록상작품적우일차치경．단수지，량명신착잠수복적구생원틈입화면，타파료원본유미적명상공간，장인랍예회현실중。
The "angel" falls slowly, breaking the wa- ter's shiny surface. Brilliant light, as if from heaven, tears open the infinite stretch of dark- ness. His body is shrouded in seafoam and bubbles, at once completely submerged in the depths of the water, then hovering in the air, with loud, penetrating cries echoing as if from within the womb. Up until this point, one might assume that Cheng Ran is paying homage to Bill Viola. Suddenly, though, two people in swim- suits, lifeguards, burst in, breaking tile medita- tive atmosphere as they haul him back to reality.