CAJ | 학술논문

从木材美学研究的现状出发,首先对木材三切面的宏观纹理进行美学分析,阐述木材的自然纹理满足了人们视觉和心理情感的美学需求,接着对木材微观构造进行形式美法则的探讨,深层次地剖析木材微观纹理的美学形式。最后对其微观构造纹理进行图形处理,产生美妙的契合形图案,丰富了现代图案设计的素材库,表达了木材美学研究的重要意义。
종목재미학연구적현상출발,수선대목재삼절면적굉관문리진행미학분석,천술목재적자연문리만족료인문시각화심리정감적미학수구,접착대목재미관구조진행형식미법칙적탐토,심층차지부석목재미관문리적미학형식。최후대기미관구조문리진행도형처리,산생미묘적계합형도안,봉부료현대도안설계적소재고,표체료목재미학연구적중요의의。
From the study on wood aesthetics of the status quo, the first, analyzing the macro grain of wood in three sections, the article indicates people’s aesthetic demand that the wood’s natural grain meets visual and psychological of people. And then, studying the wood microstructure by the principle of form beauty, it makes deeply discussion on aesthetic form of the wood’s microstructure grain. The last, it has graphics processing of the wood grain, and produces some wonderful regular tessellation patterns. It enriches the material library of modern graphic design, and expresses the significance of the research on wood aesthetics.