CAJ | 학술논문

《驾驶席》是当代著名英国女小说家缪里尔·斯帕克代表作之一，在创作技巧上具有明显的新小说特征：作者借助几近匿名的主人公形象和超然物外的思想情感表现出典型的非个性化叙述倾向；为拒斥故事情节的正常有序发展，她使用了两种别具一格的策略——现在时态叙事、第三人称叙述结合“闪前”。这些特征成其为“用英语创作的最成功的新小说作品”。
《가사석》시당대저명영국녀소설가무리이·사파극대표작지일，재창작기교상구유명현적신소설특정：작자차조궤근닉명적주인공형상화초연물외적사상정감표현출전형적비개성화서술경향；위거척고사정절적정상유서발전，저사용료량충별구일격적책략——현재시태서사、제삼인칭서술결합“섬전”。저사특정성기위“용영어창작적최성공적신소설작품”。
The Driver＇ s Seat, one of the masterpieces by the prominent contemporary English woman novelist Muriel Spark, demonstrates evident characteristics of the nouveau roman. On the one hand, Spark resorts to impersonal narration, shown by the near anonymity of the heroine as well as the author＇ s detached emotion ; on the other hand, Spark makes full use of the present tense and the technique of ＂flashforwards＂ combined with the third person narration, so as to reject the sequential plot of the novel. Therefore, The Driver＇s Seat is considered as ＂the most successful nouveau roman in English. ＂