CAJ | 학술논문

泉州南音拍板是南音表演的主要乐器，起指挥、统领的作用。然而，随着时代的变迁，南音由原本自娱自乐的形式逐渐地向舞台表演化发展，南音拍板从原来掌控节奏和速度的指挥者，逐渐地被一些人当道具摆设，拍板失去了原有的功能和作用，以致影响了南音特有的音乐特点。鉴于此，本文力求探究南音拍板及其作用，指出拍板被忽略的影响和原因，提出重视拍板特性的措施，以体现拍板在南音表演中的重要性，为更好地守护和传承泉州南音的音乐特点和表演形式起到现实的意义与作用。
천주남음박판시남음표연적주요악기，기지휘、통령적작용。연이，수착시대적변천，남음유원본자오자악적형식축점지향무태표연화발전，남음박판종원래장공절주화속도적지휘자，축점지피일사인당도구파설，박판실거료원유적공능화작용，이치영향료남음특유적음악특점。감우차，본문력구탐구남음박판급기작용，지출박판피홀략적영향화원인，제출중시박판특성적조시，이체현박판재남음표연중적중요성，위경호지수호화전승천주남음적음악특점화표연형식기도현실적의의여작용。
Quanzhou Nanyin clappers were once the main instrument playing a command role in Nanyin play. However, as time changes, Nanyin play has been developed gradually from the original character of enjoying themselves to stage performance. And Nanyin clapper was gradually used as props for decoration by some people, so it lost its original function and role and had impact on the special music characteristics. In view of this, this paper tries to explore its role of Nanyin clappers, point out the neglected reasons and put forward suggestions about recovering the main function of it, so as to protect the music characteristics of Nanyin clapper and develop its performance in Quanzhou Nanyin.