CAJ | 학술논문

《阳光灿烂的日子》开启了姜文的导演之梦，《鬼子来了》奠定了他不可撼动的导演地位，《太阳照常升起》将他推向舆论争议的风口浪尖，《让子弹飞》让他再次回归商业和大众审美，赚得盆满钵满。尽管有人抱怨《太阳照常升起》晦涩难懂，怀疑《让子弹飞》商业色彩太浓，但是仍然有些东西我们只能在姜文的电影中找到，只能从他的思想深处挖掘。从叙事视角、叙事模式、叙事策略等方面出发，探究姜文电影的叙事风格，力求揭示出叙事风格背后构筑的视觉神话。
《양광찬란적일자》개계료강문적도연지몽，《귀자래료》전정료타불가감동적도연지위，《태양조상승기》장타추향여논쟁의적풍구랑첨，《양자탄비》양타재차회귀상업화대음심미，잠득분만발만。진관유인포원《태양조상승기》회삽난동，부의《양자탄비》상업색채태농，단시잉연유사동서아문지능재강문적전영중조도，지능종타적사상심처알굴。종서사시각、서사모식、서사책략등방면출발，탐구강문전영적서사풍격，력구게시출서사풍격배후구축적시각신화。
In the Heat of the Sun brought the movie director dream of Jiang Wen into reality and Devils on the Doorstep established his status as a director. The Sun Also Rises pushed Jiang Wen into the spotlight of controversies and Let the Bullets Fly brought him back to commercial movies, the general aesthetic tastes as well as considerable revenues. There are complaints about the obscurity of The Sun Also Rises and there are doubts on the conspicuous commercial qualities of Let the Bullets Fly. However, the true value of Jiang Wen＇s movies can only be discovered in his works and be appreciated from within the director＇s thoughts. The paper makes a study of Jiang Wen＇s narrative style from the aspects of narrative perspectives, modes and strategies and attempts to reveal the visual legend based on such a style.