唐山学院学报
唐山學院學報
당산학원학보
JOURNAL OF TANGSHAN COLLEGE
2012年
4期
63-65
,共3页
《韩熙载夜宴图》%断代问题%商榷
《韓熙載夜宴圖》%斷代問題%商榷
《한희재야연도》%단대문제%상각
The Painting of Banquet at Han Xizai ' s Home%the dynastic problem%discussion
余辉先生撰文认为现存《韩熙载夜宴图》并非顾闳中所作,而是南宋画院画家为规劝史弥远而作。文章针对余文,从衣冠服饰、乐舞礼仪、家具、有关器用及画风进行了针对性的考证,认为余文有误,该画非南宋作品,而是五代画作。
餘輝先生撰文認為現存《韓熙載夜宴圖》併非顧閎中所作,而是南宋畫院畫傢為規勸史瀰遠而作。文章針對餘文,從衣冠服飾、樂舞禮儀、傢具、有關器用及畫風進行瞭針對性的攷證,認為餘文有誤,該畫非南宋作品,而是五代畫作。
여휘선생찬문인위현존《한희재야연도》병비고굉중소작,이시남송화원화가위규권사미원이작。문장침대여문,종의관복식、악무례의、가구、유관기용급화풍진행료침대성적고증,인위여문유오,해화비남송작품,이시오대화작。
Mr. Yu Hui thought that the existing The Painting of Banquet at Han Xizai ' s Home was not drawn by Gu Hongzhong but by the painter of imperial painting academy of the Southern Song Dynasty to advise Shi Miyuan. Based on Yu' paper, a textual research is made about the dressings,dancing with music and etiquette,furniture,relevant vessels and painting style. A conclusion is achieved that the painting does not belong to the Southern Song Dynasty but the Five Dynasty.