CAJ | 학술논문

戏仿是一种最具意图性的文学手法，它贯穿于整个中西方的文学发展史中，从寄生性文学到后现代主义时期文学的主流地位，戏仿在文学的发展史上起起伏伏，中西方对其评价也褒贬不一。虽然如此，但戏仿被后现代主义作家广泛运用是一个不争的事实。本文主要从后现代主义文学产生与发展和戏仿策略入手，并以具体事例探究后现代主义文学时期的戏仿现象，希望给我国学术界研究后现代主义文学的戏仿现象提供一定的借鉴。
희방시일충최구의도성적문학수법，타관천우정개중서방적문학발전사중，종기생성문학도후현대주의시기문학적주류지위，희방재문학적발전사상기기복복，중서방대기평개야포폄불일。수연여차，단희방피후현대주의작가엄범운용시일개불쟁적사실。본문주요종후현대주의문학산생여발전화희방책략입수，병이구체사례탐구후현대주의문학시기적희방현상，희망급아국학술계연구후현대주의문학적희방현상제공일정적차감。
Parody is one of the most intention of literary techniques, it runs through the whole literary history in the west, the mainstream position from parasitic literature to post modernistic literature, parody of ups and downs in the development of literature, the evaluation is mixed. Even so, parody is postmodern writers used is an indisputable fact. This paper mainly from the development and parody strategy of post modernist literature, and specific examples of parody phenomenon of postmodern literature period, hoping to provide some reference for China's academic study of post modernist literary parody phenomenon.