CAJ | 학술논문

本文试图从美国黑人流散文化的同一性和多样性的角度重新评价托妮？莫里森的小说《柏油孩子》。《柏油孩子》同时采纳了民族主义和流散文化的理论框架，以神话模式和现实主义相混杂的写作风格建构了个人与文化身份的高度离散的叙事和充满不确定性的意义体系，从而精确表征了美国黑人因面对种族、传统和现代性而产生的动态变化的，矛盾的意识形态体系。
본문시도종미국흑인류산문화적동일성화다양성적각도중신평개탁니？막리삼적소설《백유해자》。《백유해자》동시채납료민족주의화류산문화적이론광가，이신화모식화현실주의상혼잡적사작풍격건구료개인여문화신빈적고도리산적서사화충만불학정성적의의체계，종이정학표정료미국흑인인면대충족、전통화현대성이산생적동태변화적，모순적의식형태체계。
In the paper the “Tar Baby” by Toni Morrison was reevaluated from the perspective of unity and diversity of African American Diaspora. It concludes that “Tar Baby” absorbs the theoretic elements of both ethnic identity and Diaspora. Adopting the mixed writing styles of mythology and realism, the dispersed narrative about individual and cultural identity, and the semantic system of uncertainty were constructed in the novel, thereby the African American’s dynamic, paradoxical ideological systems facing problems of race, tradition and modernity were precisely characterized.