CAJ | 학술논문

在旅游凝视力的作用下，专为游客生产的民族文化表演，通过对原生文化符号的选取、抽离、改造等不同建构方式，成为了族群传统文化与主流消费文化相遇及意义重生的空间。本文以九寨沟藏羌歌舞表演《高原红》为例，在借用西方人文科学领域中“第三空间”理论的基础上，通过对表演生成特征、功能价值、属性定位的分析，从文化人类学的角度重新阐释旅游语境中《高原红》的文化意义，指出旅游表演《高原红》所展示出的文化，既不同于主流大众文化也不同于民族传统文化，而是一种在自我与他者互动中杂糅生成的第三性异质文化，表现为民族传统文化自我的现代性表述与主动建构。
재여유응시력적작용하，전위유객생산적민족문화표연，통과대원생문화부호적선취、추리、개조등불동건구방식，성위료족군전통문화여주류소비문화상우급의의중생적공간。본문이구채구장강가무표연《고원홍》위례，재차용서방인문과학영역중“제삼공간”이론적기출상，통과대표연생성특정、공능개치、속성정위적분석，종문화인류학적각도중신천석여유어경중《고원홍》적문화의의，지출여유표연《고원홍》소전시출적문화，기불동우주류대음문화야불동우민족전통문화，이시일충재자아여타자호동중잡유생성적제삼성이질문화，표현위민족전통문화자아적현대성표술여주동건구。
Influenced by tourist gaze, the ethnic cultural performance for the tourists, by choosing, dissociating and recreating original culture icons, becomes a place for the traditional ethnic culture and consumer culture of mainstream to meet and transform. This thesis employs the case study on the perform-ance Gaoyuan hong and theory of the third place, analyzes the spanning characteristics of the perform-ance, its values and function, as well as its nature and orientation, re-illustrate the cultural significance of the performance Gaoyuan hong from cultural anthropology, and comes to the conclusion that the cul-ture demonstrated in the performance Gaoyuan hong is neither consumer culture of mainstream nor tradi-tional ethnic culture, but a alien culture born in the interaction of one culture with another. The thesis al-so points out that it takes the form of modern expression and active construction of traditional ethnic cul-ture.