CAJ | 학술논문

巫傩舞蹈是人类文化史上最早产生的艺术形式之一，它既是一种内涵“巫傩”信仰而又不乏“审美”表达的民间艺术形式，又是集多元宗教、多种民俗以及多种艺术相融合的复杂文化形态。巫傩舞蹈作为“巫傩文化”的外显媒介和载体，体现和包含了众多内隐文化价值和意义。通过文化人类学探索向度，研究巫傩舞蹈形态孕育形成的成因、演变发展的规律及其特征，具有超越舞蹈本体方法论意义。同时，对于还原巫傩舞蹈本体艺术，进一步完善和丰富中国舞蹈史，有着积极而重要的意义。
무나무도시인류문화사상최조산생적예술형식지일，타기시일충내함“무나”신앙이우불핍“심미”표체적민간예술형식，우시집다원종교、다충민속이급다충예술상융합적복잡문화형태。무나무도작위“무나문화”적외현매개화재체，체현화포함료음다내은문화개치화의의。통과문화인류학탐색향도，연구무나무도형태잉육형성적성인、연변발전적규률급기특정，구유초월무도본체방법론의의。동시，대우환원무나무도본체예술，진일보완선화봉부중국무도사，유착적겁이중요적의의。
As one of the earliest artistic forms in the history of human culture , Wu Nuo Dance not only connotes the Wu Nuo belief , but also holds various aesthetic expressions . Moreover , it is a compound culture form comprising multi -religion , various customs and artistic forms . The artistic form of Wu Nuo Dance , as a carrier and an external medium of“Wu Nuo Culture” , reflects and comprises many implicit cultural values and significances . From the dimension of cultural anthropology , this research explores the birth causes , the law of evolution and development , and the characteristics of Wu Nuo Dance . The research outreaches the significance of methodology of dance itself , and meanwhile represents the appearance and artistic value of Wu Nuo Dance , thus further enriching and improving the history of Chinese dance .