CAJ | 학술논문

本文立足于诗性语言决定诗歌外在体式的理论见解，考察了成长期新诗白话用语的三种类型：口语化白话、国语化白话和杂凑式白话，并在此基础上深入论证了以文学研究会诗群为首、采用口语化白话的诗人，坚持自由诗体写作；以新月诗派为首、采用国语化白话的诗人，探求格律诗体写作；以象征诗派为首、采用杂凑式白话的诗人，则在自发地作节奏自由诗体写作。
본문립족우시성어언결정시가외재체식적이론견해，고찰료성장기신시백화용어적삼충류형：구어화백화、국어화백화화잡주식백화，병재차기출상심입론증료이문학연구회시군위수、채용구어화백화적시인，견지자유시체사작；이신월시파위수、채용국어화백화적시인，탐구격률시체사작；이상정시파위수、채용잡주식백화적시인，칙재자발지작절주자유시체사작。
Based on the theory of the poetic language which determines the external style of the poetry, this paper investigates the three types of vernacular new poems in their growing stage including colloquial vernacular, Manda-rin vernacular and mixed vernacular. And on this basis, the paper further demonstrates that the poets headed by lit-erature research association, who adopt colloquial vernacular, adhere to the free verse writing, that the poets headed by the New Moon Poetry School, who adopt Mandarin vernacular, explore the rhymed poem writing and that the po-ets headed by the Symbolist Poetry School, who adopt mixed vernacular, write verses of free rhythm spontaneously.