CAJ | 학술논문

京剧的唱腔是塑造人物形象的主要艺术手段，它是由不同类型的声腔和板式，结合人物性格，戏剧冲突，唱词内容和语言特点来设计的。京剧的腔体主要分西皮、二黄两大腔系，合称皮黄腔。板式颇多，一段唱腔运用什么板式或几种板式，是根据剧情发展和人物感情变化及唱词内容等设计的，是一种综合运用。
경극적창강시소조인물형상적주요예술수단，타시유불동류형적성강화판식，결합인물성격，희극충돌，창사내용화어언특점래설계적。경극적강체주요분서피、이황량대강계，합칭피황강。판식파다，일단창강운용십요판식혹궤충판식，시근거극정발전화인물감정변화급창사내용등설계적，시일충종합운용。
The music for voices in Beijing Opera is a major artistic means of shaping characters, and it is designed with different types of tune and meter for music, combined with personalities, opera conflicts, libretto content and language characteristics. The music for voices in Beijing Opera is mainly divided into the two types as Xipi and Erhuang, collectively referred to as Pihuang. There are a lot of types of meter for music. What type of meter or which types of meter will be used for a piece of music is designed in accordance with plot development, the character's emotional change and libretto content, which is a kind of comprehensive application.