雕塑
彫塑
조소
SCULPTURE
2012年
2期
60-61
,共2页
秩序感%构图%定向性%表现手法
秩序感%構圖%定嚮性%錶現手法
질서감%구도%정향성%표현수법
the sense of order%composition%orientation%expressive technique
本文就自己创作的浮雕作品进行分析总结,阐明在创作作品中所表达的创作目标和创作手法。力求使作品表现出对立与统一的形式美,突出画面的韵律和节奏。追求具有直线式、定向性的秩序感,想以这种秩序感表达出民族文化的深厚与稳固,再现少数民族完整、永恒的审美意识。
本文就自己創作的浮彫作品進行分析總結,闡明在創作作品中所錶達的創作目標和創作手法。力求使作品錶現齣對立與統一的形式美,突齣畫麵的韻律和節奏。追求具有直線式、定嚮性的秩序感,想以這種秩序感錶達齣民族文化的深厚與穩固,再現少數民族完整、永恆的審美意識。
본문취자기창작적부조작품진행분석총결,천명재창작작품중소표체적창작목표화창작수법。력구사작품표현출대립여통일적형식미,돌출화면적운률화절주。추구구유직선식、정향성적질서감,상이저충질서감표체출민족문화적심후여은고,재현소수민족완정、영항적심미의식。
The article is a summary of the author＇ s relief works on his own, explaining the objectives and techniques in his creation that help to produce the beauty of contradiction and unity in form, giving priority to the rhythm and rhyme of the works. In his works the author pursues a sense of lineary and one-way order to display the deep-rooted and well-established culture and reproduce the complete and lasting aesthetic consciousness of the minority ethical groups.
