CAJ | 학술논문

春秋战国时期诸国纷争，激烈的社会变动呈现出空前活跃的局面，反映在美术上就是以现实生活为关注对象。河南汲县出土的水陆攻战铜鉴和四川成都百花潭出土的宴乐渔猎水陆攻战纹壶上的纹饰是此时最具代表性的创新性纹饰。通过对“水陆攻战”纹样的产生、来源及其对我国绘画艺术发展产生的影响所做的探讨，可以看出战国时期的青铜器使人的形象摆脱了被动与束缚，这是春秋战国时期人文主义空前活跃的时代精神的体现，对之后的中国绘画艺术产生了深远影响。
춘추전국시기제국분쟁，격렬적사회변동정현출공전활약적국면，반영재미술상취시이현실생활위관주대상。하남급현출토적수륙공전동감화사천성도백화담출토적연악어작수륙공전문호상적문식시차시최구대표성적창신성문식。통과대“수륙공전”문양적산생、래원급기대아국회화예술발전산생적영향소주적탐토，가이간출전국시기적청동기사인적형상파탈료피동여속박，저시춘추전국시기인문주의공전활약적시대정신적체현，대지후적중국회화예술산생료심원영향。
In the Spring and Autumn and Warring States Period , all states ware in war , dramatic social change appeared as an active situation .Reflected in the art was the concern to real life .The bronze mirror with decoration of Attack on Land and on Water unearthed in Jixian County , Henan Province, and the pot decorated with Feasting, Hunting and Fishing and Attack on Land and on Water unearthed from Baihua Tan , Chengdu, be-come the most representative of the innovation patterns .Through the study of decoration patterns of the two bronze wares, we can see that it has a profound influence on the Chinese painting afterwards .