CAJ | 학술논문

李立杨诗歌中有两类奇特的隐喻：一种是将家人（尤其是其肢体器官）比喻成自然界中的、无生命的物体；另一种是将自然界的动植物比喻成人，尤其是家人的肢体器官。李立杨的这两类隐喻其实是他幼年颠沛流离的生活在他心灵上留下的烙印，反映了他试图通过记忆将过去的生活碎片重新拼接成完整人生的一种努力，而诗歌即是他完成这一诉求的最好场所。
리립양시가중유량류기특적은유：일충시장가인（우기시기지체기관）비유성자연계중적、무생명적물체；령일충시장자연계적동식물비유성인，우기시가인적지체기관。리립양적저량류은유기실시타유년전패류리적생활재타심령상류하적락인，반영료타시도통과기억장과거적생활쇄편중신병접성완정인생적일충노력，이시가즉시타완성저일소구적최호장소。
There are two kinds of unique metaphors in Li-Young Lee＇ s poetry. One is to analogize family members＇ corporeal parts to natural and inanimate objects; the other is to analogize natural entities to body parts or persons, particularly family members. Actually it is the past homeless life branded on his memory that causes him to deploy such metaphors, which reveals his effort to piece the flotsam of a lived life together to make it seem like one life, and poetry becomes the ideal space.