CAJ | 학술논문

从解构主义互文性理论的视角来看,汤姆.斯托帕德的代表作《罗森克兰茨和吉尔德斯特恩已死》与威廉.莎士比亚的《哈姆雷特》和塞缪尔.贝克特的《等待戈多》存在互文关系。承文本《罗森克兰茨和吉尔德斯特恩已死》与蓝文本《哈姆雷特》和《等待戈多》之间的互文关系的实质是创造性的差异或他性,而不是同一性或相似性。《罗森克兰茨和吉尔德斯特恩已死》通过它与蓝文本的他性,以象征的手法反映了存在主义哲学思想,揭示了第二次世界大战之后的社会、历史与政治现实以及后现代社会人类的心理现实,具有鲜明的历史性与警世意义。
종해구주의호문성이론적시각래간,탕모.사탁파덕적대표작《라삼극란자화길이덕사특은이사》여위렴.사사비아적《합모뢰특》화새무이.패극특적《등대과다》존재호문관계。승문본《라삼극란자화길이덕사특은이사》여람문본《합모뢰특》화《등대과다》지간적호문관계적실질시창조성적차이혹타성,이불시동일성혹상사성。《라삼극란자화길이덕사특은이사》통과타여람문본적타성,이상정적수법반영료존재주의철학사상,게시료제이차세계대전지후적사회、역사여정치현실이급후현대사회인류적심리현실,구유선명적역사성여경세의의。
Viewed from the perspective of the intertextual theory of deconstructionism, Tom Stoppard's Rosencrantz and Guildenstern Are Dead has intertextual relationships with William Shakespeare's Hamlet and Samuel Beckett's Waiting for Godot. The essence of the intertextual relationships between the hypertext Rosencrantz and Guildenstern Are Dead and its hypotexts Hamlet and Waiting for Godot is creative difference or alterity instead of affinity or similarity. Rosencrantz and Guildenstern Are Dead, through its aherity between it and its hypotexts, reflects the existentialist philosophical ideas in a symbolic way, reveals the social, historical and political realities and the psychological reality of human beings in the postmodern Western society, thereby having distinctive historicity and the significance of admonishing the world.