CAJ | 학술논문

今人多以为张问陶的诗学思想与袁枚相同,且前后始终一致。其实张氏的诗学思想前中后三期变化颇大,前期论诗主张＂诗发乎情,情触于遇＂,特别推崇杜甫以及李白,崇尚清狂大气与风骨,所谓＂狂到杜陵甘作客＂＂,清狂才称谪仙人＂＂,大声有骨是奇才＂,核心当是＂大声有骨＂,但也提到＂真＂与空灵,为中期诗学的发展嬗变奠定了基础。这种诗学观当是张氏少年壮志与巴蜀先贤影响的结晶。
금인다이위장문도적시학사상여원매상동,차전후시종일치。기실장씨적시학사상전중후삼기변화파대,전기론시주장＂시발호정,정촉우우＂,특별추숭두보이급리백,숭상청광대기여풍골,소위＂광도두릉감작객＂＂,청광재칭적선인＂＂,대성유골시기재＂,핵심당시＂대성유골＂,단야제도＂진＂여공령,위중기시학적발전선변전정료기출。저충시학관당시장씨소년장지여파촉선현영향적결정。
Most contemporaries hold that Zhang Wentao’s poetic thought was as same as Yuanmei’s,and that Zhang’s thought was consistent from beginning to the end.In fact,Zhang’s poetic thought changed considerably in his early,mid and late stages.His early poetic theory advocated that "poems arise from sentiment,and sentiment was triggered by circumstances." He attached particular weight to Du Fu and Li Bai,and upheld honesty,majesty and vigor of style,i.e.,"a poet is as arrogant as Du Fu willing to be a guest","only is an honest and arrogant poet called a banished immortal(Li Bai) ","a bold and vigorous poet is a genius." The core of his thought was the "bold and vigorous" character,but he also mentioned "truth" and flexibility,which laid foundation for the development and transmutation of poetic theory in his mid stage.The above-mentioned viewpoints of poetic theory should be the crystallization of Zhang’s lofty ideal in his youth and the influence from the worthy ancestors in Ba Shu.