CAJ | 학술논문

1930年代，废名、沈从文、芦焚、萧红等创作的乡土小说，以完全不同于1920年代的写实和批判为主的乡土小说自立于中国现代文坛。1930年代的乡土小说有着独特的叙事方式，常常采用童年视角观照乡土世界，表达对民族童年时代的眷恋；用回忆和怀旧的方式来弥补现实焦虑和情感失衡的缺憾；散文化的笔调使小说叙事节奏舒缓平和，也表达了一种与众不同的审美追求。
1930년대，폐명、침종문、호분、소홍등창작적향토소설，이완전불동우1920년대적사실화비판위주적향토소설자립우중국현대문단。1930년대적향토소설유착독특적서사방식，상상채용동년시각관조향토세계，표체대민족동년시대적권련；용회억화부구적방식래미보현실초필화정감실형적결감；산문화적필조사소설서사절주서완평화，야표체료일충여음불동적심미추구。
The writers'local novels have the unique style in the Chinese modern literature, such as Fei Ming, Shen Congwen,Lu Fen and Xiao Hong,with the completely different from the 1920s to the realist and critical crea- tions. The local literatures in the 1930s have a unique mode of narration. In order to express the attachment to the national childhood, they often use the childhood perspective to write the local world. They use memories and nostal- gic way to compensate the reality anxiety and emotional imbalance defects. The prose tone makes the narrative rhythm exhibits a soothing and peaceful features, also expresses a kind of out of the ordinary aesthetic pursuit.