CAJ | 학술논문

贵州苗族服饰可分为十二型八十一式，可谓类型复杂而多样。各种类型的服饰采用寓意、比喻、象征或谐音的手法以物寄情，使其不仅具有历史文化记载特征，而且还承载了“万物有灵”的宗教文化特征和人生“轨仪”的文化属性。贵州苗族服饰无论其款式、色彩、纹饰及装饰品和穿着方法的多变，皆是衣不在衣而在意，纹不在纹而在丈。
귀주묘족복식가분위십이형팔십일식，가위류형복잡이다양。각충류형적복식채용우의、비유、상정혹해음적수법이물기정，사기불부구유역사문화기재특정，이차환승재료“만물유령”적종교문화특정화인생“궤의”적문화속성。귀주묘족복식무론기관식、색채、문식급장식품화천착방법적다변，개시의불재의이재의，문불재문이재장。
Miao's clothing in Guizhou has complex and varied styles, which can be divided into 12 main types and 81 species. Using techniques such as implication, metaphor, symbol, or homophonic to express feeling with object, all of such clothing not only have the characteristics of historical and cultural records, but also carry the religious and cultural features of "animism" and the cultural property of life "rituals". No matter how various the styles, colors, emblazonry, adornment and wearing methods of Guizhou Miao's clothing are. they all indicate that "the clothing is not clothing but meaning", and "the emblazonry is not emblazonry but culture".