CAJ | 학술논문

自从动画艺术诞生，文学一直作为其渊薮而结伴同行。文学为动画提供了无数再创作的素材与可能，许多动画经典也因此而产生。作为神魔小说代表作的《西游记》一直是我国动画改编创作的一个重点。在历次不同社会文化历史语境下，《西游记》的动画改编经由故事的改写和情节的重构，孙悟空的形象也开始了属于他自己的72变，他由“神”与“猴”的共同体逐渐成为了一个在现实生活中被赋予了一切基本情感的人。通过叙述的转向和元素的重构来对比《西游记》的动画创作与原著小说的异同，是探究文学作品改编成动画艺术过程中继承和嬗变潜在规律的一种途径，其中孙悟空形象的变迁也正标志着中国动画发展的历程。
자종동화예술탄생，문학일직작위기연수이결반동행。문학위동화제공료무수재창작적소재여가능，허다동화경전야인차이산생。작위신마소설대표작적《서유기》일직시아국동화개편창작적일개중점。재력차불동사회문화역사어경하，《서유기》적동화개편경유고사적개사화정절적중구，손오공적형상야개시료속우타자기적72변，타유“신”여“후”적공동체축점성위료일개재현실생활중피부여료일절기본정감적인。통과서술적전향화원소적중구래대비《서유기》적동화창작여원저소설적이동，시탐구문학작품개편성동화예술과정중계승화선변잠재규률적일충도경，기중손오공형상적변천야정표지착중국동화발전적역정。
Since the birth of animation art, literature has served as its origin and they have developed to- gether all the time. Literature provides animation with numerous materials for recreation of and the possi- bility for reconstruction with the results of many classic animations. As a representative work of Chinese supernatural evilspirit novels, Pilgrimage to the West has been a focus of the animation adaptation. In its adaptation under different social, cultural and historical conditions, the image of Sun Wu-kong has started his seventy-two changes and become a person with basic feelings in a real life from a god and monkey s community by rewriting the story and reconstructing the plot. Through the comparison and analysis of Pilgrimage to the West and its adaptation＇s similarities and differences, we find narrative changes and the reconstruction of the elements are ways to explore the inheritance and the potential rules of changes with the adaptation of literary works into animations. The change of Sun Wu-kong＇s image marks the develop- ment of Chinese animation.