CAJ | 학술논문

横涂竖抹是画家绘画表现中的一种极度自由和自信的状态,其所蕴含的是画家对绘画法度的超越,是有法到无法的具体表征,是画家对绘画艺术的自我解读。其呈示给我们的是,物象与心像,心与手,技与道的高度融合,画家所涂抹表现的是物象的外在表现形式,也是其内在本质规律。横涂竖抹作为塑造形色的一种手段,粗中有细,拙中有巧,放中有收的辩证涂抹,是画家深悟绘画之道的具体表征。
횡도수말시화가회화표현중적일충겁도자유화자신적상태,기소온함적시화가대회화법도적초월,시유법도무법적구체표정,시화가대회화예술적자아해독。기정시급아문적시,물상여심상,심여수,기여도적고도융합,화가소도말표현적시물상적외재표현형식,야시기내재본질규률。횡도수말작위소조형색적일충수단,조중유세,졸중유교,방중유수적변증도말,시화가심오회화지도적구체표정。
Graffiti is a superb state in which painters freely express their minds with skillfulness and confidence. It represents artists＇ transcendence of painting techniques and self - interpretation of the painting art. It is also an integration of their extrinsic ways of expressing artistic styles and inner thoughts. Apparently, it is an unintentional way of expressing the painters＇ minds. However, it is a great philosophy with abstruse principles and mastering this technique is a sign of painters＇ deep insights into art.