CAJ | 학술논문

侯桂新的《文坛生态的演变与现代文学的转折》以＂从香港想象中国＂为切入点,返回并重构了1937—1949年间香港＂南来作家＂群体＂香港书写＂发生的历史现场,围绕文学运动、现代媒体和作家个案的梳理和论述三个层面,将客体实践、中介实践和主体实践贯穿于中国现代作家在其＂香港书写＂中展现的现代民族国家想象,为＂南来作家＂群体拟定了基于文化生态和文学史转折的全新经纬。
후계신적《문단생태적연변여현대문학적전절》이＂종향항상상중국＂위절입점,반회병중구료1937—1949년간향항＂남래작가＂군체＂향항서사＂발생적역사현장,위요문학운동、현대매체화작가개안적소리화논술삼개층면,장객체실천、중개실천화주체실천관천우중국현대작가재기＂향항서사＂중전현적현대민족국가상상,위＂남래작가＂군체의정료기우문화생태화문학사전절적전신경위。
The Evolution of the Literary world＇s Ecology and the Transition of Modern Chinese Literature by Hou Guixin, taking ＂imagining China in Hong Kong＂ as the breakthrough, returns to and reconstructs the historical scene how ＂Hong Kong writing＂ by mainland China writers to Hong Kong in 1937 to 1949 made its appearance.This monograph centres on literary movement, modern media and some writers＇ practice, and put the objective practice, the intermediary practice and the subject practice into the manifestation of the modern nation-state imagination in Hong Kong writing by the modem Chinese writers. Based on the ecology of culture and transition of literary history, the study opens up a new method to the studes on the mainland China writers in Hong Kong.