CAJ | 학술논문

17世纪以来，中西方开始了大规模的文化交流。从建筑领域文化交流来看，中国的园林艺术、家具、瓷器等造型工艺对西方产生了重要影响，形成了所谓“中国艺术风格”。但是近现代以来，由于历史的原因，文化积淀与现代化进程的冲突，在建筑文化的中西方双向交流过程中越来越呈现出非对称特性，越来越多带有西方现代风格的建筑在中国拔地而起。在中西方建筑文化交流中，中国的“洋房子”首先从“教堂”开始，由于历史的原因和科学技术发展的过程制约，导致近现代以来中方建筑的思维“追随”西方建筑文化的理念，西方建筑文化仅仅接受、吸收和融合了中方建筑文化历史中的“园林”、“亭台楼阁”等精致建筑文化这一极小部分。
17세기이래，중서방개시료대규모적문화교류。종건축영역문화교류래간，중국적완림예술、가구、자기등조형공예대서방산생료중요영향，형성료소위“중국예술풍격”。단시근현대이래，유우역사적원인，문화적정여현대화진정적충돌，재건축문화적중서방쌍향교류과정중월래월정현출비대칭특성，월래월다대유서방현대풍격적건축재중국발지이기。재중서방건축문화교류중，중국적“양방자”수선종“교당”개시，유우역사적원인화과학기술발전적과정제약，도치근현대이래중방건축적사유“추수”서방건축문화적이념，서방건축문화부부접수、흡수화융합료중방건축문화역사중적“완림”、“정태루각”등정치건축문화저일겁소부분。
There has been a large-scale cultural exchange between the West and China since the 17th century. Taking the exchange in the art of architecture for example, the Chinese garden art, furniture ,porcelain and other modeling techniques have had an important impact on the West, forming a so-called ＂Chinese art style. ＂But in modern times,due to. historical reasons,as a result of the conflict between cultural heritage and modernization, there ap more and more modern peared the trend of non-reciprocity in the cultural exchange of the architecture art, with Western-style buildings springing up in China. The ＂foreign house＂ first appeared in view of cultural exchange,the communication in architectural philosophy and means can China be treated as an experimental fields of architectural and urban design are welcome, but by no planning.