美育学刊
美育學刊
미육학간
JOURNAL OF AESTHETIC EDUCATION
2012年
3期
14-19
,共6页
小说学%知识体系%现代性%文学革命%范式
小說學%知識體繫%現代性%文學革命%範式
소설학%지식체계%현대성%문학혁명%범식
novel studies%knowledge system%modernity%literary revolution%paradigms
把小说这一体裁在近代的兴起、小说论的泛滥与文学革命的关系放在整个中国现代性的历史过程中来考察,并对除梁启超、王国维等备受人关注的大家之外,其他人在确立现代文学研究范式方面的意义给予描述和评价,将能在肯定其历史贡献的同时,指出其思想局限以及现代文论自我瓦解的因素。
把小說這一體裁在近代的興起、小說論的汎濫與文學革命的關繫放在整箇中國現代性的歷史過程中來攷察,併對除樑啟超、王國維等備受人關註的大傢之外,其他人在確立現代文學研究範式方麵的意義給予描述和評價,將能在肯定其歷史貢獻的同時,指齣其思想跼限以及現代文論自我瓦解的因素。
파소설저일체재재근대적흥기、소설론적범람여문학혁명적관계방재정개중국현대성적역사과정중래고찰,병대제량계초、왕국유등비수인관주적대가지외,기타인재학립현대문학연구범식방면적의의급여묘술화평개,장능재긍정기역사공헌적동시,지출기사상국한이급현대문론자아와해적인소。
This paper proposes to study the rise of the genre of the novel in the modern time and the relationship between the flooding of theories on the novel and the literary revolution from the historical perspective of Chinese modernity.A description and an evaluation will be made of the contributions of some lesser scholars who,though not given the kind of attention lavishly bestowed on masters like Liang Qi-chao and Wang Guowei,helped establish the paradigms of modern Chinese literary studies.While praising their historical contributions,this paper also points out their ideological limitations and the causes for the collapse of modern criticism.