CAJ | 학술논문

随着时代发展和当代艺术的影响,陶瓷雕塑创作者抛开以往的创作思想及手法的束缚,开始关注媒介自身的表现力及创作者本人的思想观念。本文从材料和烧成两方面论述了陶瓷雕塑创作语言的拓展应用,使得当代陶瓷雕塑创作具有更加强烈的个人语言和视觉符号,体现在当代陶瓷雕塑艺术在创作形式上不拘泥于传统,而是对传统陶瓷雕塑总结性的批判继承和对西方艺术文化所表现出来的吸取包容态度以及在此基础上的创新。
수착시대발전화당대예술적영향,도자조소창작자포개이왕적창작사상급수법적속박,개시관주매개자신적표현력급창작자본인적사상관념。본문종재료화소성량방면논술료도자조소창작어언적탁전응용,사득당대도자조소창작구유경가강렬적개인어언화시각부호,체현재당대도자조소예술재창작형식상불구니우전통,이시대전통도자조소총결성적비판계승화대서방예술문화소표현출래적흡취포용태도이급재차기출상적창신。
With the advancement in time,ceramic sculptors,inspired by contemporary art,have gradually burst through the constraints of old concepts and techniques,begun to focus their attention on the expressiveness of an art medium and the idea of their own as individual artists.This paper takes an insight into the efforts of ceramic sculptors to expand their range of art languages to render more technically and visually individualized features to their works,which will not be restricted by tradition in form,but will elevate above it through their selective inheritance of its quintessence,their inclusive assimilation of Western influences and their innovation on these two bases.