CAJ | 학술논문

钱钟书先生于20世纪60年代提出了“通感”的概念，即“以感觉写感觉”。俄国象征派诗歌中大量运用了这一艺术手法。与象征派诗歌不同，叶赛宁以“诗人对世界的感觉”将其运用得出神入化，在其诗歌里，他塑造了一系列视觉、听觉、味觉、触觉等知觉意象，通过这些意象的塑造，表现了年轻诗人对生活、对大自然真挚的热爱。
전종서선생우20세기60년대제출료“통감”적개념，즉“이감각사감각”。아국상정파시가중대량운용료저일예술수법。여상정파시가불동，협새저이“시인대세계적감각”장기운용득출신입화，재기시가리，타소조료일계렬시각、은각、미각、촉각등지각의상，통과저사의상적소조，표현료년경시인대생활、대대자연진지적열애。
QIAN zhong- shu has come up with ＂Synaesthesia＂ since 1960s, that is ＂just to write feeling with feeling＂. Russian SymboIist poetry has put it to use wisely. Yesenin has used it wonderfully with＂ his feeling to the world＂, in his poetry, he models a series of consciousness figures, such as visual sense,hearing sense, taste sense and sense of smell and so on. By this way, it represents the young Poet＇ s love to life and nature.