CAJ | 학술논문

五十年代对贺绿汀的批判,表面上看是属于＂吕贺之争＂的又一阶段,但在其背后却有着特定的历史政治背景。从现在来看,《论音乐的创作与批评》这篇文章可以说是我国当代的一篇经典性音乐评论,文中针对解放初期音乐创作和批评中出现的一些问题说出了很多音乐理论家想说而又不敢说的话,提出了很多实际的建议,这些建议深刻而具有高瞻远瞩性。
오십년대대하록정적비판,표면상간시속우＂려하지쟁＂적우일계단,단재기배후각유착특정적역사정치배경。종현재래간,《론음악적창작여비평》저편문장가이설시아국당대적일편경전성음악평론,문중침대해방초기음악창작화비평중출현적일사문제설출료흔다음악이론가상설이우불감설적화,제출료흔다실제적건의,저사건의심각이구유고첨원촉성。
It seems that the criticizing of He Lvting in the 1950s is another phase of Struggle of Lv and He, but it has its special historical and political background. From the views of the present, the article On the Creation and Criticism of Music is a classical musical comment. Aiming at the problems arising in the music creation and criticism at the beginning the founding of the new China, this article spoke out many words which lots of musical theorists wanted to say but dared not to say, and proposed a lot of practical suggestions, and these suggestions are profound and aim high.