CAJ | 학술논문

亨利·汉德尔·理查森在三部曲《理查德·麦昂尼的命运》中以细腻的笔触精心刻画了麦昂尼怀着发财的梦想移居澳大利亚而最终失败的移民形象。笔者认为,作者大量采用了反衬这一修辞方式,有效地刻画了麦昂尼的形象、突出了悲剧主题,并使三部曲之间具有较强的连续性和整体性。无疑,反衬是作者使用的较典型的修辞方式,使作品锦上添花。
형리·한덕이·리사삼재삼부곡《리사덕·맥앙니적명운》중이세니적필촉정심각화료맥앙니부착발재적몽상이거오대리아이최종실패적이민형상。필자인위,작자대량채용료반츤저일수사방식,유효지각화료맥앙니적형상、돌출료비극주제,병사삼부곡지간구유교강적련속성화정체성。무의,반츤시작자사용적교전형적수사방식,사작품금상첨화。
In her reputed trilogy The Fortunes of Richard Mahony,Henry Handel Richardson exquisitely portrays the migrant image of Richard Mahony,who,cherishing the rosy dream of a good fortune,migrates to Australia,but turns out a tragic figure.The author of this essay thinks that,the success of the novel owes a great deal to the wide use of the rhetorical device of contrast,which,as a typical and handy method with the author,contributes remarkably to the depiction of the protagonist,to the accentuation of the theme and the continuity and integrity of the trilogy,greatly enhancing the artistic piquancy of the work.