CAJ | 학술논문

在徽州建筑环境中,徽派三雕是徽派建筑中的精华,有其独特的作用和文化价值,不仅体现了劳动人民的艺术创造水平,而且反映了时代建筑的风格和艺术。主要从符号学的角度出发,以徽派三雕为载体探析徽派三雕艺术,对徽派三雕艺术的语义价值进行研究,从添加、结合、迭代、象征与隐喻、解构与重构这五种符号设计手法上,寻求设计创造的资源空间及文化传承关系。
재휘주건축배경중,휘파삼조시휘파건축중적정화,유기독특적작용화문화개치,불부체현료노동인민적예술창조수평,이차반영료시대건축적풍격화예술。주요종부호학적각도출발,이휘파삼조위재체탐석휘파삼조예술,대휘파삼조예술적어의개치진행연구,종첨가、결합、질대、상정여은유、해구여중구저오충부호설계수법상,심구설계창조적자원공간급문화전승관계。
As the essence of Anhui-style buildings,the art of Hui Three Carvings has its unique functions and cultural value in Huizhou construction environment,which manifests the level of the working people＇s artistic creativity and reflects the construction style and art of the times as well.Mainly from the perspective of semiotics,this paper analyses the art of Huizhou Three Carvings,studies its semantic value,and explores the relationship between resources space and the cultural inheritance of design and creation by using five symbol design methods of addition,combination,iteration,symbol and metaphor,deconstruction and reconstruction.