CAJ | 학술논문

《论优美感和崇高感》是康德惟一一篇美学专论，是他此后三大批判的理论雏形，具有重要美学研究价值。文中康德以不同于严谨哲学思考的姿态，以美学观察者的角度对“优美”与“崇高”命题及其相互关系作出独到解读。明确了“原则”和“大自然”是作为优美与崇高的根本动力机制，优美与崇高相生相成，并且优美最终要依归于崇高。强调了体验和感悟对于审美的决定作用，区分了优美与崇高及其对立面，以此美育教化新一代青年世界公民。
《론우미감화숭고감》시강덕유일일편미학전론，시타차후삼대비판적이론추형，구유중요미학연구개치。문중강덕이불동우엄근철학사고적자태，이미학관찰자적각도대“우미”여“숭고”명제급기상호관계작출독도해독。명학료“원칙”화“대자연”시작위우미여숭고적근본동력궤제，우미여숭고상생상성，병차우미최종요의귀우숭고。강조료체험화감오대우심미적결정작용，구분료우미여숭고급기대립면，이차미육교화신일대청년세계공민。
The view To Beauty and Sublime is the only monograph of aesthetics of Kant. It has an important aesthetic and research value even more than his three critical theory prototype. The text is different from the rigorous philosophical thinking attitude, substituting the aesthetic point of view of the observer on the ＂beauty＂ and ＂sublime＂ proposition and their relationship to make a unique interpretation. Kant defined the ＂Principles＂ and ＂Nature＂ as the fundamental driving force mechanism of beauty and sublime, and beauty final according to attributed to the sublime. Kant emphasized the experience and awareness of the aesthetic role in the decision, and through the distinction between the beauty and sublime, as well as their opposites aesthetic, in order to educate a new generation of young citizens of the world.