CAJ | 학술논문

《能召回前世的布米叔叔》是一部带有浓郁个人风格的影片。在影音造型上其带有导演阿彼察邦标识性的神秘写意的风格；在结构上，影片以不时断裂的叙事突破了西方叙事理论的樊篱，从而在电影民族化的道路上做出了有益的探索；在主题上，影片不仅对泰国的现实政治有所指涉，更探索了深植于佛教传统中的时间观念。
《능소회전세적포미숙숙》시일부대유농욱개인풍격적영편。재영음조형상기대유도연아피찰방표식성적신비사의적풍격；재결구상，영편이불시단렬적서사돌파료서방서사이론적번리，종이재전영민족화적도로상주출료유익적탐색；재주제상，영편불부대태국적현실정치유소지섭，경탐색료심식우불교전통중적시간관념。
Uncle Boonmee who can recall his past lives is a strong personal style film.Its audio-visual design is filled with its director,Apichatpong＇s logo of the mysterious freehand style;Its structure breaks the western linear narrative theory,and makes useful explorations in the nationalization of movies;In the subject,the film not only refers to Thailand＇s political reality ,but also explores the concept of time deeply rooted in the Buddhist tradition.