CAJ | 학술논문

从女性主义叙事学角度对乔治.艾略特作品中的女性人物进行解读,通常认为,乔治.艾略特小说中的大多数女性遵循相似的命运模式。然而这些相似的命运模式中也存在着细微的差异：那些在本质上遵循传统女性美德的女性往往以貌似幸福的婚姻收场,而那些更多地偏离维多利亚价值观的女性则几乎毫无例外地悲惨地死去。乔治.艾略特挪用了英语文学中传统的荡妇和天使范式,这种挪用并非对范式简单的重复。小说家在尊崇传统范式的同时,彰显了其对传统女性观念的反叛和讽刺。
종녀성주의서사학각도대교치.애략특작품중적녀성인물진행해독,통상인위,교치.애략특소설중적대다수녀성준순상사적명운모식。연이저사상사적명운모식중야존재착세미적차이：나사재본질상준순전통녀성미덕적녀성왕왕이모사행복적혼인수장,이나사경다지편리유다리아개치관적녀성칙궤호호무예외지비참지사거。교치.애략특나용료영어문학중전통적탕부화천사범식,저충나용병비대범식간단적중복。소설가재존숭전통범식적동시,창현료기대전통녀성관념적반반화풍자。
Many interpretations of the heroines in George Eliot＇s major novels from the perspective of feminist narrative agree that the majority of women share a similar fate pattern. However, in this similarity there exist very subtle differences： those who con- form to the traditional womanhood ideals end in seemingly happy marriage, and those who divert away from the Victorian values die miserably without exception. George Eliot clearly has employed traditional ＂harlot and angel＂ paradigm of English literature, and the employment is far from rigid repetition of the old one. She displays her satire and rebellion to traditional womanhood ideals while showing her respect to the traditional paradigm.