雕塑
彫塑
조소
SCULPTURE
2012年
1期
54-56
,共3页
女人体%花%漆雕塑
女人體%花%漆彫塑
녀인체%화%칠조소
female body%flower%lacquer sculpture
女人是雕塑表现的经典主题，而以花比喻女人，是女人最欣喜的赞美。本文旨在探讨女人与花这两种经典命题在现代审美下的雕塑表现方式，进而提出将古典漆艺的手法引入雕塑主题进行创作的可能性，并最终尝试解释笔者花韵系列雕塑的意义。
女人是彫塑錶現的經典主題，而以花比喻女人，是女人最訢喜的讚美。本文旨在探討女人與花這兩種經典命題在現代審美下的彫塑錶現方式，進而提齣將古典漆藝的手法引入彫塑主題進行創作的可能性，併最終嘗試解釋筆者花韻繫列彫塑的意義。
녀인시조소표현적경전주제，이이화비유녀인，시녀인최흔희적찬미。본문지재탐토녀인여화저량충경전명제재현대심미하적조소표현방식，진이제출장고전칠예적수법인입조소주제진행창작적가능성，병최종상시해석필자화운계렬조소적의의。
Women are the classical subject matter of sculpture, and flowers are usually compared to wom- en, which is a kind of praise best popular with women. The article aims to explore the styles of expression of women and flowers, the two classical prepositions, from the contemporary aesthetic perspective and further put forward the possibility of introducing the classical techniques of lacquer art into the creation of theme sculpture, and finally makes an attempt to explain the siqnificance of flower charm sculpture series.
