大理学院学报
大理學院學報
대이학원학보
JOURNAL OF DALI COLLEGE
2013年
7期
13-19
,共7页
王娟%张积家%和秀梅%闵翠蓁
王娟%張積傢%和秀梅%閔翠蓁
왕연%장적가%화수매%민취진
傈僳族%普米族%摩梭人%颜色词%概念结构
傈僳族%普米族%摩梭人%顏色詞%概唸結構
률속족%보미족%마사인%안색사%개념결구
Lisu nationality%Pumi nationality%Mosuo nationality%color terms%conceptual structure
采用自由分类法考察傈僳族和普米族高中生对11种基本颜色词的分类,并同摩梭高中生比较。结果表明,傈僳族高中生基本颜色词的概念结构有两个维度:①彩色/非彩色;②亮色/暗色。11个基本颜色词被分为非彩色,暗杂色,花朵、水果色和背景色4类。普米族高中生基本颜色词的概念结构有两个维度:①彩色/非彩色;②单色/杂色。11个基本颜色词被分为非彩色、暗杂色、彩色及红粉色4类。傈僳族、普米族和摩梭人对11种基本颜色词的分类既有共性,也有差异,体现了遗传、环境、文化和教育对颜色认知的影响。研究还表明,地理环境通过生产方式影响人类的颜色认知。
採用自由分類法攷察傈僳族和普米族高中生對11種基本顏色詞的分類,併同摩梭高中生比較。結果錶明,傈僳族高中生基本顏色詞的概唸結構有兩箇維度:①綵色/非綵色;②亮色/暗色。11箇基本顏色詞被分為非綵色,暗雜色,花朵、水果色和揹景色4類。普米族高中生基本顏色詞的概唸結構有兩箇維度:①綵色/非綵色;②單色/雜色。11箇基本顏色詞被分為非綵色、暗雜色、綵色及紅粉色4類。傈僳族、普米族和摩梭人對11種基本顏色詞的分類既有共性,也有差異,體現瞭遺傳、環境、文化和教育對顏色認知的影響。研究還錶明,地理環境通過生產方式影響人類的顏色認知。
채용자유분류법고찰률속족화보미족고중생대11충기본안색사적분류,병동마사고중생비교。결과표명,률속족고중생기본안색사적개념결구유량개유도:①채색/비채색;②량색/암색。11개기본안색사피분위비채색,암잡색,화타、수과색화배경색4류。보미족고중생기본안색사적개념결구유량개유도:①채색/비채색;②단색/잡색。11개기본안색사피분위비채색、암잡색、채색급홍분색4류。률속족、보미족화마사인대11충기본안색사적분류기유공성,야유차이,체현료유전、배경、문화화교육대안색인지적영향。연구환표명,지리배경통과생산방식영향인류적안색인지。
Free classification was applied to study Lisu and Pumi high school students’classification of eleven types of basic color terms and the result was compared with that of Mosuo students. The results showed that Lisu high school students’conceptual structure of the basic color terms had two dimensions:①chromatic color/achromatic color; ②bright color/dark color. Lisu students classified eleven types of basic color terms into four types of achromatic color, dark mottled color, color of flower and fruit, and background color. The conceptual structure of Pumi students had two dimensions as well: ①chromatic color /achromatic color; ②pure color / mixed color, classifying elven basic color terms into four groups of achromatic color, dark mottled color, chromatic color, and red-pink color. The different and similar classification of eleven basic color terms of Lisu, Pumi and Mosuo people revealed the influence from genes, environment, culture and education. The study also manifested that geographical influence on human’s color conceptual structure through production mode.