CAJ | 학술논문

1928年到1929年间，上海发生了一起富家小姐黄慧如与男仆陆根荣私奔的事件，被时人称为黄陆案。20世纪二三十年代的上海，正是大众传媒与市民文化空前繁盛的时期，这一罕见的主仆恋情很快成为沪上各大小报刊大肆渲染的对象，并成为以牟利、媚俗为宗旨的出版商以及海派戏剧的绝佳题材，甚至电影公司、烟草公司也从中窥到了牟利的契机，跟风炒作，私人领域、个人的情爱与身体成为大众文化消费的对象。与媒体炒作相对的，是知识精英们对黄陆案的讨论与言说。黄陆案被旧派人士看作是“尊卑不分”的风流案、奸案，却被新派人士演绎为符合当时潮流的自由恋爱，在相关的论述中，阶级、革命、女权、自由、平等等话语被广泛运用。时至今日，以黄陆案为原型的沪剧与评弹仍在上演，但其人物形象与故事情节已“面目全非”。
1928년도1929년간，상해발생료일기부가소저황혜여여남부륙근영사분적사건，피시인칭위황륙안。20세기이삼십년대적상해，정시대음전매여시민문화공전번성적시기，저일한견적주부련정흔쾌성위호상각대소보간대사선염적대상，병성위이모리、미속위종지적출판상이급해파희극적절가제재，심지전영공사、연초공사야종중규도료모리적계궤，근풍초작，사인영역、개인적정애여신체성위대음문화소비적대상。여매체초작상대적，시지식정영문대황륙안적토론여언설。황륙안피구파인사간작시“존비불분”적풍류안、간안，각피신파인사연역위부합당시조류적자유연애，재상관적논술중，계급、혁명、녀권、자유、평등등화어피엄범운용。시지금일，이황륙안위원형적호극여평탄잉재상연，단기인물형상여고사정절이“면목전비”。
In 1928, an eye-catching event had taken place in Shanghai: A wealthy Miss named Huang Huiru eloped with her manservant named Lu Genrong.Owing to the unprecedented prosperity of the mass media and culture in Shanghai during the 1920s to 1930s, the event, titled as“The Case of Huang-Lu” at that time, was widely propagandized by the media and quickly spread from mouth to mouth.Moreover, it became the topic for the publishers and Shanghai Drama, money-earning and vulgar-ity being their ultimate goal.In addition, film companies, as well as tobacco companies, followed to make profits from the e-vent.Therefore, it is easy for us to arrive at the conclusion that any privacy, including love affairs, could be treated as the sub-ject of the mass cultural consumption under the influence of Shanghai commercial media at that time.Quite contrary to the media, the intellectual elites had different opinions towards the event.On the one hand, conservatives criticized it as an“amo-rous affair” regardless of inferiority and superiority;while liberals honored it as a kind of freedom on love affairs, which sym-bolized the development of the times.Among their heated debates, terms, such as class, revolution, feminist right, freedom, e-quality, and etc., have been widely employed.Nowadays, based on the story of“The Case of Huang-Lu”, plays presented by Shanghai Drama and Pintan ( storytelling and ballad singing) have still been put on the stage, but the contents, as well as the plot and the figure are all in a complete change.