CAJ | 학술논문

茅盾的生前显赫、死后落寞，都与其开创的“社会剖析小说”的艺术得失密切相关。这一小说类型的创作范式可归纳为“感性细节”加“理性框架”，思想精髓在于批判现实时的分寸把握，说到底是作者意欲干预政治又希望规避现实风险的文化心理的产物。茅盾及其小说创作集中体现了中国知识分子在中西文化交汇碰撞之际，在现代文化冲击中既深感诱惑又惊惧交加的矛盾复杂心理。
모순적생전현혁、사후락막，도여기개창적“사회부석소설”적예술득실밀절상관。저일소설류형적창작범식가귀납위“감성세절”가“이성광가”，사상정수재우비판현실시적분촌파악，설도저시작자의욕간예정치우희망규피현실풍험적문화심리적산물。모순급기소설창작집중체현료중국지식분자재중서문화교회팽당지제，재현대문화충격중기심감유혹우량구교가적모순복잡심리。
The striking contrast between Mao Dun's eminent literary achievements before death and loneliness after death is close-ly related to his artistic success and failure of the“Society-analyzed Novel”.The writing model of this fiction genre, which is pioneered by Mao Dun can be summarized as the combination of both“emotional details” and“rational framework”, with mod-erate criticism on the society being its essence.In other words, it is the cultural and psychological product of the author'mind, attempting to intervene in politics on one hand, and hoping to hedge the risk on the other.In fact, Mao Dun and his literary works reflect a contradictory and complicated mentality of Chinese intellectuals, who are experiencing both temptation and horror influenced by the modern culture in the process of the collision between Chinese and Western cultures.