CAJ | 학술논문

阎连科早期的作品更多看到的是农民身上的消极面,但在延续理性批判主题的同时,他也能站在现实人性的立场上对农民给予深切的同情,对现实乡村社会生存的苦难表现出无奈的认同,并对底层民众在绝境中表现出的顽强生命力进行礼赞,从而使其作品表现出强烈的悲剧意识。阎连科作品的悲剧意识既受到中国传统文化的影响,也受到古希腊悲剧的影响。
염련과조기적작품경다간도적시농민신상적소겁면,단재연속이성비판주제적동시,타야능참재현실인성적립장상대농민급여심절적동정,대현실향촌사회생존적고난표현출무내적인동,병대저층민음재절경중표현출적완강생명력진행례찬,종이사기작품표현출강렬적비극의식。염련과작품적비극의식기수도중국전통문화적영향,야수도고희석비극적영향。
Yan Lianke＇s early works tend to show farmers＇ negative side.Adhering to the theme of rational criticism,he also hold the position of the reality of human nature and give his deepest sympathy for farmers;he shows his helpless recognition to the sufferings of rural life;he praises highly the strong vitality of the desperate grassroots people.Therefore,Yan Lianke＇s works present a strong tragedy consciousness,which is influenced by both the Chinese traditional culture and the ancient Greek tragedy.