烟台大学学报（哲学社会科学版）
煙檯大學學報（哲學社會科學版）
연태대학학보（철학사회과학판）
JOURNAL OF YANTAI UNIVERSITY(PHILOSOPHY AND SOCIAL SCIENCE EDITION)
2014年
2期
58-63
,共6页
羊人为美%审美文化%假扮%游戏%精神模仿
羊人為美%審美文化%假扮%遊戲%精神模倣
양인위미%심미문화%가분%유희%정신모방
“Yang Ren Wei Mei”%aesthetic culture%make-believe%play%mental simulation
假扮的本质是基于想象的精神模仿行为，其源头可追溯至先民在原始巫术仪式中装扮为祖先或图腾以祈福的活动。从民间游戏到工艺制作再到艺术鉴赏，“羊人为美”所携带的假扮基因在中国审美文化史上得到广泛传承，涵盖民间游戏、诗文艺术及工艺赏玩等五个分支。从某种意义上说，中国审美文化史重精神模仿而轻形式模仿、重意境而轻形似的审美习性以及借神思作忘的方式通达心与物游境界的审美追求是历经传承的假扮基因所造就的。
假扮的本質是基于想象的精神模倣行為，其源頭可追溯至先民在原始巫術儀式中裝扮為祖先或圖騰以祈福的活動。從民間遊戲到工藝製作再到藝術鑒賞，“羊人為美”所攜帶的假扮基因在中國審美文化史上得到廣汎傳承，涵蓋民間遊戲、詩文藝術及工藝賞玩等五箇分支。從某種意義上說，中國審美文化史重精神模倣而輕形式模倣、重意境而輕形似的審美習性以及藉神思作忘的方式通達心與物遊境界的審美追求是歷經傳承的假扮基因所造就的。
가분적본질시기우상상적정신모방행위，기원두가추소지선민재원시무술의식중장분위조선혹도등이기복적활동。종민간유희도공예제작재도예술감상，“양인위미”소휴대적가분기인재중국심미문화사상득도엄범전승，함개민간유희、시문예술급공예상완등오개분지。종모충의의상설，중국심미문화사중정신모방이경형식모방、중의경이경형사적심미습성이급차신사작망적방식통체심여물유경계적심미추구시력경전승적가분기인소조취적。
The essence of make-believe is an imagination -based mental simulation , which stems from ancestors wearing decoration on head pretending to be gods in ancient religious ceremony as shaman , in order to pray for living , health and winning in conquest .The make-believe factors inside ancient reli-gious ceremony had been brought down from generation to generation , from ceremony to literature and arts, as well as games and artifacts .According to the paradigm of make -believe, Chinese artists prefers aesthetic atmosphere to resemblance to represented objects .Thus, aesthetic appreciation of Chinese arts shows similar qualities with the game of make -believe, which pursues freedom as aesthetic pleasure .
