CAJ | 학술논문

我国水彩画发展很快,目前唯技术层面的水彩作品及评论很多,势必会影响我国水彩画探求发展。如何寻找水彩画本土表现路径是当下的研究课题。在中国悠久文化土壤里,意象水彩表现存在本土艺术语境里,建立本土意象水彩绘画语境,反映中国本民族水彩风貌,提倡水彩艺术＂中西结合＂是历史的必然。水彩画在中国生根发芽,在民族的土壤里才可能长成参天大树。能够把本土审美感受糅合在西画里,新的艺术形式可能就产生了。艺术发展与时俱进,也是社会发展的必然。
아국수채화발전흔쾌,목전유기술층면적수채작품급평론흔다,세필회영향아국수채화탐구발전。여하심조수채화본토표현로경시당하적연구과제。재중국유구문화토양리,의상수채표현존재본토예술어경리,건립본토의상수채회화어경,반영중국본민족수채풍모,제창수채예술＂중서결합＂시역사적필연。수채화재중국생근발아,재민족적토양리재가능장성삼천대수。능구파본토심미감수유합재서화리,신적예술형식가능취산생료。예술발전여시구진,야시사회발전적필연。
China＇s watercolor paintings develop rapidly. These days, works produced merely by technologies and comments on such works abound in China, which inevitably influence the growth of watercolor paintings. In this case, one research subject is to seek a way in which local color can be expressed in watercolor paintings. Chinese culture enjoys a long history and imagist watercolor can be conveyed in local artistic context. As a consequence, it is inevitable to build contexts of local imagist watercolor paintings, reflect Chinese local watercolor characteristics, and integrate Chinese watercolor with Western watercolor. Watercolor paintings are rooted in China and can only flourish with local characteristics. New artistic forms are likely to result from integration of local aesthetics into Western works. Social development requires that artistic development keep pace with the times.