CAJ | 학술논문

阴阳是艺术辩证法的古老母题,是自然宇宙与人类世代相承的基因,依附或浸染于艺术辩证法形式结构之中。艺术辩证法原理具有普遍性,但在具体作品里,在独特的艺术创造过程中,其形式又有独特的表现及底蕴。在对中国古代艺术辩证法的研究中,应从追本溯源中揭示其本性和特质,彰显其独具理论生命的中国元素。
음양시예술변증법적고로모제,시자연우주여인류세대상승적기인,의부혹침염우예술변증법형식결구지중。예술변증법원리구유보편성,단재구체작품리,재독특적예술창조과정중,기형식우유독특적표현급저온。재대중국고대예술변증법적연구중,응종추본소원중게시기본성화특질,창현기독구이론생명적중국원소。
As an ancient motif of artistic dialectics,ying and yang,affiliated or infiltrated in the form structure of artistic dialectics,are the genes for the natural world and mankind to evolve.The principles of artistic dialectics are universal,but in some given works or in the process of artistic creation,its forms would present a unique manifestation and connotation.So in the study of ancient Chinese artistic dialectics,we should trace its origin to discover its nature and character and reveal its Chinese elements with vigorous theoretical life.