CAJ | 학술논문

艺术和道德的关系是文学史上一个永恒的话题。英国唯美主义运动的代表作家奥斯卡·王尔德主张“为艺术而艺术”，但倘若据此以为他的作品完全与道德无涉，未免太过武断。《道林·格雷的画像》是王尔德唯一的中长篇小说，具有明显的唯美主义倾向，且一度被认为是腐朽堕落的作品。实际上小说始终保持着对现实的强烈关注和激烈批判，具有鲜明的道德观和是非感。
예술화도덕적관계시문학사상일개영항적화제。영국유미주의운동적대표작가오사잡·왕이덕주장“위예술이예술”，단당약거차이위타적작품완전여도덕무섭，미면태과무단。《도림·격뢰적화상》시왕이덕유일적중장편소설，구유명현적유미주의경향，차일도피인위시부후타락적작품。실제상소설시종보지착대현실적강렬관주화격렬비판，구유선명적도덕관화시비감。
The association of art and morality has been an eternal topic in literary history. As an aesthetic writer, Oscar Wilde advocates"art for art's sake", but it's dangerous to rush to a conclusion that his pursuit of art has nothing to do with morality. The Picture of Dorian Gray , the only novel by Wilde, has an obvious tinge of aestheticism and was once considered a novel of corruption. Actually, it depicts and criticizes the decaying morality of the morality in Victorian times.