CAJ | 학술논문

从性别视域的角度入手，对英国著名作家D. H.劳伦斯的《母女二人》和我国当代女作家陈染的《无处告别》两个中篇小说中的母女关系书写进行对比，旨在分析两位作家如何以不同的性别视角在各自的小说文本中描述和解码现代社会中错综复杂的母女关系，总结他们在各自作品中对女性主体意识所持的不同观点，从而进一步探讨当代女性走出母女关系困境的可能。
종성별시역적각도입수，대영국저명작가D. H.로륜사적《모녀이인》화아국당대녀작가진염적《무처고별》량개중편소설중적모녀관계서사진행대비，지재분석량위작가여하이불동적성별시각재각자적소설문본중묘술화해마현대사회중착종복잡적모녀관계，총결타문재각자작품중대녀성주체의식소지적불동관점，종이진일보탐토당대녀성주출모녀관계곤경적가능。
From the gender perspective this paper presents a contrast of the writing about the mother-daughter relationship in the two novelettes, namely Mother and Daughter by the famous British writer D. H. Lawrence and Farewell to Nowhere by the contemporary Chinese female writer Chen Ran. The analyses aim to expose how the two authors describe and decode the complicated mother-daughter relationships in the modern society in their re-spective works from the different gender perspectives. Summarizing their distinct viewpoints on the female subject consciousness in their works, the paper further discusses the possibility for the modern women to walk out of the dilemma of mother-daughter relationships.