CAJ | 학술논문

森鸥外所著《舞姬》在日本文学现代化转型过程中具有重要意义，其主人公丰太郎被视为经历了“现代自我”的“觉醒”与“挫折”的典型人物。以往研究大都将“挫折”归咎于丰太郎“性格软弱”，偏重于将其作为“认知主体”加以把握。本文从“认知自我”“、感性自我”“、道德自我”三个层面进行探讨，认为丰太郎的“软弱”是一种善感的天性，也是从感性出发的对主体性的追求。丰太郎以文学青年的姿态肯定“感性自我”，同时又以“士族”道德标准否定“感性自我”。而作为“认知主体”的自我，被裹挟于近代与反近代两种力量之间，陷入了深刻的危机。丰太郎多重自我之间的矛盾折射出明治社会价值观交汇冲突的复杂局面。
삼구외소저《무희》재일본문학현대화전형과정중구유중요의의，기주인공봉태랑피시위경력료“현대자아”적“각성”여“좌절”적전형인물。이왕연구대도장“좌절”귀구우봉태랑“성격연약”，편중우장기작위“인지주체”가이파악。본문종“인지자아”“、감성자아”“、도덕자아”삼개층면진행탐토，인위봉태랑적“연약”시일충선감적천성，야시종감성출발적대주체성적추구。봉태랑이문학청년적자태긍정“감성자아”，동시우이“사족”도덕표준부정“감성자아”。이작위“인지주체”적자아，피과협우근대여반근대량충역량지간，함입료심각적위궤。봉태랑다중자아지간적모순절사출명치사회개치관교회충돌적복잡국면。
Maihime, written by Mori Ogai, is of great significance in the transitional period to the modernization of Japanese literature. Toyotaro, the protagonist in Maihime, is considered to have undergone the experiences of“awakening”and“frustration”in the“modern ego”. Most of the previous studies of the story have attributed Toyotaro’s“frustration”to his weakness of character, emphasizing that he is a“cognitive subject”. However, having explored the three different egos of the main character, i.e.“cognitive ego”,“sensual ego”and“moral ego”, this article advocates that Toyotaro’s“weakness”is his sensitive nature and is a result of his pursuit of subjectivity based on sensibility. Toyotaro approves of his“sensual ego”from the viewpoint of a literary youth, while he disapproves of the“sensual ego”from the perspective of Shizoku ethical standard. The ego of“cognitive subjectivity”has faced deep crises, as it is beset with modern and anti-modern forces. Toyotaro’s multiple self-contradictions have reflected the complicated conflicts among the social values of the Meiji era.