CAJ | 학술논문

朱光潜正是努力通过自身对中国古典诗论的理解，不仅将克罗齐的“直觉”从一种思辨式的哲学思考引申成为心理学上的美感体验，更是同时化用布洛的“距离说”和立普斯等人的“内模仿论”“移情说”，从美的凝神静观与自由“出入”出发，建构了“中国化”的现代美学。克罗齐的“直觉”被朱光潜改造成为凝神静观的艺术审美经验，布洛的“距离说”又构成了理论弥补的关键因子。从审美直觉到审美距离，构成了朱光潜审美经验论的逻辑框架与核心特质，其对中国古典文论的化用也给当代的异质性比较诗学注入了崭新的活力。
주광잠정시노력통과자신대중국고전시론적리해，불부장극라제적“직각”종일충사변식적철학사고인신성위심이학상적미감체험，경시동시화용포락적“거리설”화립보사등인적“내모방론”“이정설”，종미적응신정관여자유“출입”출발，건구료“중국화”적현대미학。극라제적“직각”피주광잠개조성위응신정관적예술심미경험，포락적“거리설”우구성료이론미보적관건인자。종심미직각도심미거리，구성료주광잠심미경험론적라집광가여핵심특질，기대중국고전문론적화용야급당대적이질성비교시학주입료참신적활력。
Through the understanding of Chinese classical poetry ,Zhu Guangqian not only extended Groce ’ s “gut feeling” from speculative philosophy thinking mode to the aesthetic psychological experience ,but at the same time constructed the modern Chinese aesthetics on the basis of Blow ’ s “Distance” and Lips ’ s “theory of imitation”,“empathy”.Groce’ s mind philosophy theory was transformed by Zhu Guangqian into a peaceful contemplation of aesthetic experience .Zhu Guangqian ’ s aesthetic empiricism included the aesthetic intuition and the aesthetic dis-tance,which was the core and the framework of his theory .It has injected new vitality to the application of Chinese classical literary theory and the heterogeneity of contemporary comparative poetics .