CAJ | 학술논문

鲁迅成年以后对戏剧（尤其是中国旧戏）的态度的发生了很大的转变,这既是五四文学革命后整体文学观念的更迭使然,同时也与鲁迅童年对绍兴地方戏的狂欢记忆和早年形成的文艺之本质在＂使观听之人,为之兴感怡悦＂的艺术观有关。
로신성년이후대희극（우기시중국구희）적태도적발생료흔대적전변,저기시오사문학혁명후정체문학관념적경질사연,동시야여로신동년대소흥지방희적광환기억화조년형성적문예지본질재＂사관은지인,위지흥감이열＂적예술관유관。
Lu Xun＇s attitude to drama（especially to Chinese old drama） had changed greatly since his adulthood,which is not only the result change of literary idea after the literary revolution of May 4th,but also have relation with Lu Xun＇s carnival memory of local drama in Shaoxing and the concept of literary essence in the view of ＂listening to the people,for the sense of joy＂ formed in his early years.