CAJ | 학술논문

方棋的《最后的巫歌》展示了20世纪三峡原住民的社会生活和历史进程。小说一方面以现实主义的笔法描述三峡原住民的现实生活故事，同时又将久远的古文化信息和先祖神话穿插其中，以神话思维去解释和言说现实生活，来阐释和探秘民族文化的密码。小说还以宏阔的视野，将巫文化作为解读中国文化的一条途径进行文化寻根，完成了一个宏大叙事，并为这个已经消逝的文化形态留下了诗性的民族志记载。
방기적《최후적무가》전시료20세기삼협원주민적사회생활화역사진정。소설일방면이현실주의적필법묘술삼협원주민적현실생활고사，동시우장구원적고문화신식화선조신화천삽기중，이신화사유거해석화언설현실생활，래천석화탐비민족문화적밀마。소설환이굉활적시야，장무문화작위해독중국문화적일조도경진행문화심근，완성료일개굉대서사，병위저개이경소서적문화형태류하료시성적민족지기재。
Fang Qi’s The Last Shaman's Chant describes social life and historical process of the aborigines who lived in the areas of the Three Gorges in the 20th century. The novel describes people’ real life stories with a realistic writing style while a great deal of information about the ancient civilization and ancestral myths is inserted in it. The mythical thinking is used to explain the real life, and explore the code of national culture. With far-reaching vision, the novel takes witchery culture as a way to search for Chinese cultural roots, so it completed a grand narrative, and left a poetic ethnographic record.